In their choreographic study Nora Frohmann and Clemens Fellmann investigate into the varieties of solitary morphing and carrying out patterns. The two parts choreography questions the relation of body and movement, improvisation and formal severity, proximity and distance. Relations and leading positions change, set the tone and grow to absurdity. Established and dissolved distances follow levels of exhaustion and stick to graphic structures. The potential of the Unresolved becomes the driving force of this choreography of interstices.